About
Geraldine Robarts is a celebrated artist based in Nairobi, Kenya. With over eight decades of painting, Geraldine’s vibrant and dynamic works capture the essence of African landscapes, cultures, and everyday life. Her diverse style, ranging from impressionistic depictions of nature to abstract explorations of African spirituality, has earned her international recognition. A passionate teacher and mentor, Geraldine has influenced generations of artists, and her art continues to inspire with its bold use of color, texture, and mixed media techniques. Explore her unique collection and journey through her artistic vision.
She works with oil, acrylic and watercolours and experiments in different ways, always pushing the boundaries of what paint, colour, and new materials can achieve. She has developed techniques unique to herself which give paintings considerable depth and soul which she has shared with her students.
For many years, Geraldine was a university lecturer in fine art, first at Makerere University, Kampala and then at Kenyatta University, Nairobi. In the early 1960’s she brought the craft of batik making from Indonesia to Uganda and then to Kenya because the price of paints, brushes, and canvas was then beyond the pocket of local artists.
In 1988/89 she was a Visiting Professor in Art Education at McGill University, Montreal, bringing the Gusii and Inuit tribes together through their art. She collaborated on a book “Stories in Stone” and curated an exhibition of sculptures which travelled through Canada and the USA, establishing the international market for Kisii soapstone.
Geraldine is a Baha’i and has been a voluntary teacher with grassroots women’s groups in Kenya since 1964. Since 1990 she has helped women’s groups in Kitui, Kenya. She created workshops for making colourful ornamental sisal weaving and wall-hangings. These are still produced and have a market in Nairobi and for export. By offering people the opportunity to have income generating projects she has improved the lives of many people who otherwise were struggling to survive.
She has done a lot of work on health improvement by building productive fruit farms and provision of dams across sandy rivers, together with pumped water systems which overcame the pressing need of the village women to spend their lives collecting water and firewood and has transformed the ability of communities to grow sustainably in the long term. The storage of water behind dams has meant the removal of animals and people from sandy riverbeds so that the incidence of malaria and typhoid dropped and the better health from lots of fresh fruit and vegetables meant mothers and children have so much better a chance of doing well.
Exhibitions
YEAR | MONTH | VENUE |
2019 | October | At home |
2019 | May | Muthaiga Country Club |
2019 | March | Lord Erroll Restaurant |
2019 | March | Trademark Hotel |
2018 | November | At home |
2018 | September-December | The Nairobi Gallery |
2018 | May | At home |
2017 | December | At home |
2017 | October | At home |
2017 | May | Lazizi Hotel |
2016 | October | Village Market |
2016 | May | Gallery RIA |
2009 | At home- May/June | Nairobi, Kenya |
2008 | The Andrea Gallery | Toronto, Canada |
Beijing TFLH – April | Beijing, China | |
Beijing RIA – April | Beijing, China | |
Village Market – May | Nairobi, Kenya | |
2007 | At home | Nairobi, Kenya |
Godown Women’s Festival | Nairobi, Kenya | |
Village Market | Nairobi, Kenya | |
UNEP Governing Council | Nairobi, Kenya | |
2006 | Village Market – October | Nairobi, Kenya |
Village Market – May | Nairobi, Kenya | |
French Cultural Centre (Group Show) | Nairobi, Kenya | |
2005 | At Home | Nairobi, Kenya |
Ju Fu Dian | Beijing, China | |
The Open Gallery | Beijing, China | |
African Heritage | Nairobi, Kenya | |
2004 | At Home | Nairobi, Kenya |
Village Market | Nairobi, Kenya | |
The Sonia Gallery | Toronto, Canada | |
Sheraton Hotel | Djibouti | |
2003 | Village Market | Nairobi, Kenya |
The Sonia Gallery | Toronto, Canada | |
2002 | Sheraton Hotel | Kampala, Uganda |
French Cultural Centre (Group Show) | Nairobi Kenya | |
Village Market | Nairobi Kenya | |
Open Studio | Nairobi Kenya | |
2001 | The Racecource | Nairobi, Kenya |
Florence Gallery | Beijing, China | |
The Karyn House | Beijing, China | |
UNEP | Nairobi, Kenya | |
2000 | Expo 2000 | Hannover, Germany |
Open Studio | Nairobi, Kenya | |
French Cultural Centre | Nairobi, Kenya | |
UNEP | Nairobi, Kenya | |
1999 | Village Market Exhibition Hall | Nairobi, Kenya |
The International Centre | Beijing, China | |
Robert Conn Studio | Toronto, Canada | |
1998 | Open Studio | Nairobi, Kenya |
Village Market Exhibition Hall | Nairobi, Kenya | |
1997 | Everard Read Gallery | Jo’burg, South Africa |
Open Studio | Nairobi, Kenya | |
National Museum of Kenya | Nairobi, Kenya | |
1996 | Grahamtown Festival | South Africa |
Gallery Café | Kampala, Uganda |
Comissions
Panafric Hotel public spaces | Nairobi, Kenya |
The Stanley Hotel | Nairobi, Kenya |
Diani Reef Hotel | Mombasa, Kenya |
Nyali Beach Hotel | Mombasa, Kenya |
Whitesands Hotel | Mombasa, Kenya |
The Grand Regency Hotel | Nairobi, Kenya |
Fairview Hotel | Nairobi, Kenya |
Rembrandt Hotel | London, England |
Collections
Geraldine Robarts’s works are held in a large number of collections worldwide, including:
- London Regional Art Gallery, London, Ontario, Canada
- There are major private collections in Switzerland, France, Germany, Austria, England, Israel, USA, Canada, Japan, China, Indonesia, South Africa, Uganda, Tanzania & Kenya
Awards
- Gold Medal, Artists of Fame and Promise Exhibition, Palermo, 1980
- UN-We the Peoples: 50 Communities Award
Teaching Experience
1987-1998 | Consultant Trainer for various rural community projects in Kenya (refer to section Consultancies) |
1989 | Visiting Professor at McGill University, Canada. Department of Ethnographic Studies. |
1987 | Consultant to McGill University to select sculptures for the joint Kisii-Unuit Sculptures Exhibition for the National Museum of Canada and U.S.A. |
1985 | Organised and conducted a workshop for youth at Nairobi Bahá’í Centre. Taught papermaking and making crayons using vegetable dyes. |
1983-1984 | Developed and designed the new UNESCO Sourcebook for Art Education: Traditional Techniques in Art Education from East Africa (206 pages, printed 1985 in five languages). |
Designed an educational kit of 300 slides for Art school teachers on the use of traditional artistic techniques from West Africa. Produced and wrote a video film on these materials. | |
1982 | Organised and conducted workshops on papermaking, dyeing, weaving, wax printing and claywork for the kindergarten Headmistresses Association of Kenya |
1981 | Organised and conducted handicraft workshops for youth on papermaking and the use of vegetable dyes at Kenya Institute of Education. |
1980 | Organised and conducted handicraft workshops for primary and secondary school (in conjunction with Kenya Institute of Education, Nairobi) |
1977-1979 | Lecturer in Painting and Head of the Painting Department, Kenyatta University Collge, Nairobi. |
1974-1977 | Lecturer on the Crafts Training Programme at YMCA Crafts Training Centre, Shauri-Moyo, Nairobi. Design consultant for the development of micro-industries for Kenya and export markets in ceramic, leatherwork, screen printing and jewellry making. |
1964-1970 | Lecturer in Art Education and lecturer in Audio-Visual Communications, Makerere University, Kampala. Teaching post-graduate students for the Diploma in Education as well as B.Ed students as teachers for East Africa. |
1968-1969 | Supervised mural paintings on village shops by school children, Kisugu, Uganda. Organised an exhibition of children’s art in the Uganda Museum. |
Consultancies
Year | Project / Role | Organization / Partner |
---|---|---|
1998 | An examination of a Community Water Harvesting Initiative: Subsurface dams for Matinyani and Kalimani Communities in Kitui District. | IDRC |
1996 | Treadle Pumps Irrigation in Kitui working with Care and Approtex. | |
1994-1998 | Development of Kalimani Health Centre. | Amref, IWC, AWA, UNIASC |
1992 | Director of ‘Rehema’ NGO. | |
1991 | Consultant for Yatta Beekeepers Women’s Group, Bakery Project. | GTZ |
1990-1998 | Consultant for Mutongui and Matinyuanyani Women’s Group, Solar Drying Project, especially for natural sun dried mango for local and international markets. | GTZ |
1990 | Consultant for Humama Candle Makers & DEB Women’s Group, Candle Makers. | Africa Housing Fund |
1990 | Consultant for Matinyani Weaving and Spinning Project; developed four new workshops. | CIDA and EEC |
1989-1998 | Consultant for Kitui Weaving Project. | CIDA/ODA |
1989 | Consultant to Jitegemee Lamu Women’s Group for the Lamu Coconut Products Training Workshop. | GTZ |
1987 | Research for Coast Products Development. Consultant Trainer for Lamu Coconut Products. | GTZ |
1987 | Conducted training workshops in Yatta using plant dyes from Kitui for tie-dye batiks. | SIDA |
1995 | Presentation on Kitui Integrated Development. | World Bank, Washington D.C. |
Press & Media Mentions
(all links open in a new window)
- https://www.onecountry.org/story/world-class-artist-who-straddles-two-worlds-painting-and-development
- https://www.the-star.co.ke/sasa/2023-10-06-art-festival-by-gakuo-kaigwa-and-robarts/
- https://www.theeastafrican.co.ke/tea/magazine/robarts-uses-lockdown-to-produce-over-200-paintings-3016176
- https://www.businessdailyafrica.com/bd/lifestyle/art/100th-art-exhibition-marks-geraldine-robarts-graceful-finale-3576214
Biographies
- International Who’s Who in Art, 1979
- The World Who’s Who of Women, 1977